Skip to main content

Rolls-Royce Silver Spirit ll : Vintage Car For Royal People

Silver Spirit II
(1990-1994)

Engine : 8 cylinder, 90 degree V configuration
Transmission : 3 speed automatic gearbox, one piece propeller shaft,
hypoid bevel differential
Chassis : 5 seater, 4 door saloon, steel monocoque, separate sub frames
front and rear
Dimensions :wheelbase 120.5 inches
Performance : Max speed 120 mph (193 km/h)
When Rolls-Royce announced their new models, the Rolls-Royce Silver Spirit II and its long wheel base
derivative the Rolls-Royce Silver Spur II inSeptember 1989,this was declared to be a statement of
affirmation in the marque.
It cannot be denied, however, that with the introduction of these models, speculation began as to
whether these cars represented the last production series of the types and heralded a new series of
models to be released to the public.
Such speculation apart, the Silver Spirit II and the Silver Spur II had more than skin-deep differences
to their forebears. By taking advantage of the advances made in technology, particularly in electronics,
the engineers at Crewe had reworked the Rolls-Royce self-levelling systemand
developed a suspension without an equal in the world.
Vertical, longitudinal and lateral accelerometers monitored acceleration, road surface conditions and braking
and sterring changes. All data from external transducers and switches were received by a
microprocessor control unit. This information was compared continuously with programmed
threshold values for each switching control and the damper values adjusted as necessary
within milliseconds.
The interior of Silver Spirit II gained modest, although useful, alterations and additions.
An extensive programme of ergonomics research led to a

redesigned dashboard with several controls and switches repositioned. Directly in the driver's field of
vision a new warning module was installed which provided data on vital systems and fluid levels on an
"only when necessary" basis.
The split level air conditioningcould be tuned more precisely due to two additional outlets in the
dashboard.
A sound system with ten speakersand a 100 watt amplifier was considered to provide
concert hall quality.
Heated front seats with an electrically operated lumbar support and a
leather trimmed two-spoke steering wheel underlined how carefully Rolls-Royce had
considered any feature which
would make the new product a true driver's car.
Rolls-Royce had produced a pair of very desirable motor cars and now saw the need to provide an
anti-theft alarm as standard thus helping keep their customers' precious possessions from
changing hands in an unintended way.

Popular posts from this blog

Porsche 913

Forgetting the Panamera, Cayenne and Macan, Porsche offer a pretty well-rounded sports car range. Starting with the Boxster and Cayman, and moving up the multitude of variations of the Porsche 911, all the way up to the 918 Spyder supercar. But there is a HUGE price gap between the top of the range 911 Turbo ($250,000 will all the options ticked), to the 918 Spyder ($800,000). Somewhere in that range Porsche could surely offer something to compete with the likes of Ferrari and Lamborghini. Something like the 913 possibly? Conceived by the fertile mind of Rene Garcia, a professional 3D modeller who has created conceptual vehicles and highly detailed models for some of the biggest movies of the past decade, including the Matrix Trilogy, Transformers, the latest Star Trekthrillers and The Avengers, the Porsche 913 is an exquisitely rendered design in every detail. It has a bit of the 918 Spyder about it, but there’s also a lot of originality to the design. It looks like a Porsche, but a

Lamborghini Canto – What the Murcielago could have been?

Back in the late 1990s, when Lamborghini were starting to realise they needed a replacement for the ageing Diablo, they started reviewing design proposals from various automotive design firms. Zagato’s offering was the Zagato L147 SuperDiablo, or as it was to be later known, the Lamborghini Canto. The Lamborghini Canto first appeared in 1998, it arrived only two years after another Zagato designed Lamborghini concept had been unveiled, the Diablo-based Raptor. The cars shared a number of similar features, including the wraparound windows, triangular lateral air intakes, and trademark double-bubble roof. However of the two, the earlier Raptor was probably the better looking. Clearly Ferdinand Piech – head of the Volkswagen Group – thought so too. After VW bought Lamborghini in 1999, one of his first decisions was to review the Canto’s development and redesign the concept. The car was re-engineered and the rear extensively restyled to include smaller air intakes. The engine was also up

BMW GINA

The BMW GINA changes the design rulebook concept which features clever use of materials and technology. The GINA acronym stands for 'Geometry In "N" Adaptions'. The 'N' stands for infinite. Quite logical really... While at first glance the BMW GINA appears to be nothing more than a modified and stretched BMW Z4. As soon as the doors are opened it reveals its true nature. Covering the lightweight spaceframe of the BMW GINA are not conventional metal bodypanels, but instead an elastic, rubber-like material is stretched across the structural members and wire frame to form an attractive design which follows BMW's flame surfacing styling philosophy. This elastic material has given BMW's designers more options when designing various moving parts of the GINA concept. The doors for example have no shut line along their front edge as the material just moves with the door. At the rear the electro-hydraulic adjustable spoiler rises and lowers under the skin of