Skip to main content

Mercedes-Benz SLS AMG

Mercedes-Benz’s technical director in the 1950s, Rudi Uhlenhaut, had what is arguably the coolest company car in history. It was a gullwing version of the W196S 300SLR race car powered by a 306-hp, 3.0-liter version of Mercedes’ Formula 1 straight-eight engine. His daily driver sprang from his own genius, and the car is now widely known as the Uhlenhaut Coupe. We just spent a week with the 21st-century edition Uhlenhaut Coupe.
The 2014 SLS AMG Black Series doesn’t have a straight-eight, but it does have the most potent 6.2-liter V-8 ­Mercedes-Benz has ever built. This is likely the last naturally aspirated gasp of the brand’s heavy-breathing M159 engine we’ll ever hear.
As a retirement gift, AMG has given the engine new camshafts, specially coated bucket tappets, a more efficient intake tract, more-durable crankshaft bearings, and a titanium exhaust system that shaves 29 pounds. The mighty V-8 goes out barking, spitting, and spinning all the way up to 8000 rpm. All 622 horsepower (up from 583 in the SLS GT) show up at 7400 rpm with 468 pound-feet of torque coming in at 5500 rpm. An angry Sprint Cup car–like thrum pulses out of the Black’s four exhaust tips to warn the hard of hearing. Uhlenhaut’s car was also an eardrum destroyer; it had to wear a goofy Samsonite-shaped muffler tacked onto its front fender, presumably to keep Uhlenhaut from getting deported to East Germany.

Turn the transmission-control knob to the “race start” setting and the seven-speed dual-clutch gearbox is primed for launch. With your feet on the brake and accelerator, the engine revs to 3000 rpm, and the clutch dumps when you lift off the brake. Weight distribution is so biased it’s almost bigoted, with a meaningful 54.1 percent over the rear tires. Coupled with an electronically controlled limited-slip differential and sticky rubber, this allows for very repeatable 3.2-second zero-to-60 sprints. Keep it buried, and the quarter-mile falls in 11.2 seconds at 128 mph, the same time as a Lamborghini Gallardo.
In a world packed with Hondas and Chevys, this level of power is as out of whack as Uhlenhaut’s coupe was when it ran like a cheetah through herds of Opel Rekords and Ford Anglias. You can only use this glorious engine’s full power very briefly, and restraining great machinery is frustrating. Maybe that’s why Uhlenhaut drove his SLR into the Alps on ski vacations. We drove the Black Series to Ralphs to buy milk. The Dude abides, Rudi. The Dude abides.

If you seek proof that the mighty SLS Black is capable of achieving warp speed, this provides ample photographic evidence.
Eventually, we did escape the city for the peaks north of Los Angeles. Mountain roads unwind with little effort in the Black Series. Pilot Sport Cup 2 tires that are nearly as plump as those on a Viper support a suspension with widened front and rear tracks. Turn-in grip is staggering, and the rear stays stuck to the road. The Black has a coil-over suspension that offers no comfort mode for the shocks, only sport and sport plus. It’s brutally stiff either way. We did appreciate the directness of the faux-suede-covered steering wheel, which transmits road texture with little filtering and provides the right amount of effort. We measured 0.98 g of grip on the skidpad and found you can use every bit of that adhesion with confidence. More than doubling the posted speed through corners is almost boring in this car.  Almost.
Part of the Black Series deal is a wide-body kit that brings new sills and flared fenders and more carbon than a West Virginia coal shaft. Placing the SLS’s long proboscis takes some adjustment, as this is a large sports car with a tiny cabin for two that doesn’t admit much light. Inspired by the SLS GT3 racer, there’s also a carbon-fiber chin splitter and carbon-fiber aero vanes at the corners that look like a pencil mustache. Perched on the trunk is an adjustable carbon-fiber spoiler hiding a carbon-fiber Gurney flap.

Popular posts from this blog

Porsche 913

Forgetting the Panamera, Cayenne and Macan, Porsche offer a pretty well-rounded sports car range. Starting with the Boxster and Cayman, and moving up the multitude of variations of the Porsche 911, all the way up to the 918 Spyder supercar. But there is a HUGE price gap between the top of the range 911 Turbo ($250,000 will all the options ticked), to the 918 Spyder ($800,000). Somewhere in that range Porsche could surely offer something to compete with the likes of Ferrari and Lamborghini. Something like the 913 possibly? Conceived by the fertile mind of Rene Garcia, a professional 3D modeller who has created conceptual vehicles and highly detailed models for some of the biggest movies of the past decade, including the Matrix Trilogy, Transformers, the latest Star Trekthrillers and The Avengers, the Porsche 913 is an exquisitely rendered design in every detail. It has a bit of the 918 Spyder about it, but there’s also a lot of originality to the design. It looks like a Porsche, but a

Lamborghini Canto – What the Murcielago could have been?

Back in the late 1990s, when Lamborghini were starting to realise they needed a replacement for the ageing Diablo, they started reviewing design proposals from various automotive design firms. Zagato’s offering was the Zagato L147 SuperDiablo, or as it was to be later known, the Lamborghini Canto. The Lamborghini Canto first appeared in 1998, it arrived only two years after another Zagato designed Lamborghini concept had been unveiled, the Diablo-based Raptor. The cars shared a number of similar features, including the wraparound windows, triangular lateral air intakes, and trademark double-bubble roof. However of the two, the earlier Raptor was probably the better looking. Clearly Ferdinand Piech – head of the Volkswagen Group – thought so too. After VW bought Lamborghini in 1999, one of his first decisions was to review the Canto’s development and redesign the concept. The car was re-engineered and the rear extensively restyled to include smaller air intakes. The engine was also up

BMW GINA

The BMW GINA changes the design rulebook concept which features clever use of materials and technology. The GINA acronym stands for 'Geometry In "N" Adaptions'. The 'N' stands for infinite. Quite logical really... While at first glance the BMW GINA appears to be nothing more than a modified and stretched BMW Z4. As soon as the doors are opened it reveals its true nature. Covering the lightweight spaceframe of the BMW GINA are not conventional metal bodypanels, but instead an elastic, rubber-like material is stretched across the structural members and wire frame to form an attractive design which follows BMW's flame surfacing styling philosophy. This elastic material has given BMW's designers more options when designing various moving parts of the GINA concept. The doors for example have no shut line along their front edge as the material just moves with the door. At the rear the electro-hydraulic adjustable spoiler rises and lowers under the skin of