Skip to main content

AC Aceca

The closed versions of many great sports cars are often forgotten. And if not forgotten, they lag behind the roadster version in popularity and market value. This is certainly true of the Jaguar XKs and E-Types, the Alfa Giuliettas and Porsche 356s. Many people don't even realize there was a coupe version of the MGA, Lotus Elan or the AC Ace. Strictly speaking, the AC fixed-head coupe wasn't an Ace at all. It was an Aceca.
Visually, the Aceca and its more popular roadster sibling were quite similar from nose to scuttle, but the similarities ended there. The Aceca used a curved windscreen, much wider doors, an elegantly sloping fastback roof and downswept rear fenders that culminated in small but graceful fins. Luggage space was vastly increased by the use of a top-hinged liftgate. The car featured full-width bumpers front and rear, instead of the Ace's vestigial bumperettes.
Inside, the Aceca was more opulently finished. Although both open and closed cars were trimmed in Connolly hides and rich wool carpets, the Aceca added beautiful wooden trims for the instrument panel, glovebox lid, and the door and window sills. The rear deck was carpeted, the headliner was padded, and the door windows rolled up, while front and rear quarter windows swung outward.
Under the skin, the Ace and Aceca rolled on identical chassis, except for the rubber mounts for the coupe's differential. That chassis had started life in the workshop of race-car builder John Tojeiro. The car that caught the eye of AC's Hurlock brothers looked a great deal like a Touring-bodied Ferrari Barchetta and featured an advanced twin-tube frame with transverse leaf-spring independent suspension front and rear.
When first shown to the Hurlocks, Tojeiro's lithe roadster was powered by the 2.0-liter Bristol straight six of BMW 328 heritage. When it appeared on the AC stand at the London Motor Show in October 1953, AC's own long-stroke 2.0-liter six was under the aluminum hood. With 90 hp and 105 lb-ft of torque on tap-mated to a Moss four-speed transmission-the Ace would top 100 mph, which was quite an accomplishment for a 2.0-liter automobile at that time. The lovely Aceca coupe came along for the 1955 model year.
Within a year, both the Ace and the Aceca were available with the more powerful Bristol six in 105-hp or 120-hp form. In either tune, it came with Bristol's own transmission and was much more responsive to race preparation. It was also substantially faster. Although the Ace-Bristol roadster was a more likely race entrant, with a stiffer body structure and slicker shape, the Aceca had its advantages.
This 1958 Aceca, BEX 628, was acquired in the 1980s by New York collector Herb Wetanson, who has a penchant for postwar ACs. In 1987 the car was sent to Portland, Oregon, AC restorer Jim Feldman, who dismantled and inspected it. The engine, transmission, differential and all other components were rebuilt. Five years later, with all systems completed, it was carefully reassembled and detailed. The aluminum body was stripped and refinish-ed in black urethane paint. Red Connolly leather and new Wilton wool carpets dress the interior.
In 2002 Maryland collector and vintage racer Mark Gessler acquired the Aceca and had it prepared for racing by D.L. George Coachworks. First came a roll bar, fire extinguisher system, fuel cell and racing harnesses. The original Bristol was removed and replaced with one that had been race-prepared, and the stock chrome wire wheels were replaced with a stronger set wearing racing tires. The stock exhaust was deleted in favor of a side-exit system.
Gessler takes pleasure racing what "looks just like a concours car," mostly in VSCCA events from Lime Rock to Pittsburgh. What about when its racing days are over? All the safety equipment will come out easily and the stock engine, wheels and exhaust will bolt back on. But with the standard exhaust, the barking Bristol just won't sound the same.

Popular posts from this blog

McLaren P2 by Rakesh

The McLaren P2 is a concept created by Rakesh Bag , a Student of The Aditya Birla Public School , Veraval , Gujarat from INDIA The styling of the McLaren P2 is more attractive and less clinical than the McLaren P1 , but you can bet your entire worldly possessions on the fact every last millimetre of the bodywork has been extensivley analysed in the windtunnel. The front is unique and original, the way lower part of the bumper flows back into the ‘C’ shaped headlights is inspired. And the P2’s rear end has got to be one of the best in the business. Stunning. “the McLaren P1 and P2 will be the result of 50 years of racing and road car heritage. Twenty years ago we raised the supercar performance bar with the McLaren F1 and our goal with the McLaren P1 and P2 is to redefine it once again.” “Our aim is not necessarily to be the fastest in absolute top speed but to be the quickest and most rewarding series production road car on a circuit,” adds McLaren Automotive Managing Director Anton...

Lamborghini Canto – What the Murcielago could have been?

Back in the late 1990s, when Lamborghini were starting to realise they needed a replacement for the ageing Diablo, they started reviewing design proposals from various automotive design firms. Zagato’s offering was the Zagato L147 SuperDiablo, or as it was to be later known, the Lamborghini Canto. The Lamborghini Canto first appeared in 1998, it arrived only two years after another Zagato designed Lamborghini concept had been unveiled, the Diablo-based Raptor. The cars shared a number of similar features, including the wraparound windows, triangular lateral air intakes, and trademark double-bubble roof. However of the two, the earlier Raptor was probably the better looking. Clearly Ferdinand Piech – head of the Volkswagen Group – thought so too. After VW bought Lamborghini in 1999, one of his first decisions was to review the Canto’s development and redesign the concept. The car was re-engineered and the rear extensively restyled to include smaller air intakes....

Lamborghini Resonare Concept

The Lamborghini Resonare concept was created by 29-year-old Polish designer Pawel Czyzewski, it took him whole year to complete in exterior and interior details by using the Autodesk 3DS MAX software for modeling and rendering. According to Pawel Czyzewski, the main goal was to create a very futuristic, luxury, provocative and aggressive look, while still keep the Lamborghini style with the body line of the brand. Pawel Czyzewski was born in 1985 and currently resides in Lubin, Poland. He graduated from the University of Maria Curie-Sklodowska in Lublin and is focused on: Automotive Design, Industrial Design, and Interior Design. Some of the most successful projects of car concepts designs by Pawel Czyzewski include the: Gangloff Bugatti, Ferrari Invisum, Mazda Tamashii, Tricar Invisum, Arrano Invisum, Legarto Invisum and the Invisum among others. Have more information about this car than please comment us or email us at roadstrikersIN@gmail.com Thank you